
| Arriflex 16 SR3, Zeiss Super Speed Lenses | 
| Arriflex 435, Panavision C- and E-Series Lenses | 
| Beaulieu 4008 ZM4 | 
| Bell & Howell Eyemo, Panavision C- and E-Series Lenses | 
| Canon 1014XLS | 
| Panavision Panaflex Millennium XL, Panavision Primo, C-, E-Series, ATZ and AWZ2 Lenses | 
| Red One MX | 
| Company 3, Los Angeles (CA), USA (Digital Intermediate) | 
| DeLuxe, Hollywood (CA), USA | 
| 3084 m (Portugal, 35 mm) | 
| 16 mm (Kodak Vision3 200T 7213, Vision3 500T 7219) | 
| 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) | 
| 8 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) | 
| Redcode RAW | 
| Digital Intermediate (2K) (master format) | 
| Panavision (anamorphic) (source format) | 
| Redcode RAW (4.5K) (source format) (some shots) | 
| Super 16 (source format) (some shots) | 
| Super 8 (source format) (some shots) | 
| 35 mm (partial blow-up) (Kodak Vision 2383) | 
| 70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) | 
| D-Cinema | 
| 2.39 : 1 (Global Widescreen Cinema Standard) | 
| SDDS | DTS | Dolby Digital |