In Theaters: December 21st, 2011

| Arriflex 435 Xtreme, Panavision G-Series Lenses |
| IMAX Cameras, Hasselblad Lenses |
| Iwerks MSM 8870, Hasselblad Lenses |
| Panavision Panaflex Millennium XL2, Panavision C-, E- and G-Series Lenses |
| Barrandov Laboratore, Prague, Czech Republic |
| Company 3, Los Angeles (CA), USA (Digital Intermediate) |
| FotoKem Laboratory, Burbank (CA), USA (65 mm processing) |
| Kodak Cinelabs, Mumbai, India |
| 3632 m (Portugal, 35 mm) |
| 35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) |
| 65 mm (horizontal) (Kodak Vision3 200T 5213, Vision3 500T 5219) |
| Digital Intermediate (master format) |
| IMAX (source format) (some scenes) |
| Iwerks 8/70 (source format) (some scenes) |
| Panavision (anamorphic) (source format) |
| Super 35 (source format) (one scene) |
| 35 mm (Kodak Vision 2383) |
| 70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) |
| D-Cinema |
| 1.44 : 1 (IMAX version) (some scenes) |
| 2.39 : 1 (Global Widescreen Cinema Standard) |
| Dolby Digital | SDDS | DTS (as Datasat Digital Sound) |