In Theaters: March 8th, 2013
Runtime: 1 hour 38 minutes (98 minutes)
Rated PG-13 for violent content, brief strong language and smoking (historical).
Genres: Drama, Historical, War
Thin
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Drama,
High
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Actors
Performance
A gripping tale of love and honor forged between fierce enemies of war, EMPEROR tells the story, inspired by true events, of the bold and secret moves that won the peace in the shadows of post-war Japan. Starring Academy Award-winner Tommy Lee Jones, Matthew Fox, and newcomer Eriko Hatsune, EMPEROR brings to life the American occupation of Japan in the perilous and unpredictable days just after Emperor Hirohito's World War II surrender. As General Douglas MacArthur (Jones) suddenly finds himself the de facto ruler of a foreign nation, he assigns an expert in Japanese culture, General Bonner Fellers (Fox), to covertly investigate the looming question hanging over the country: should the Japanese Emperor, worshiped by his people but accused of war crimes, be punished or saved?
Just a dull procedural, with the bland Matthew Fox driving around in a jeep and asking questions and not having them answered.
Critic Score: 1.5/4
The epigrams fly, but the movie never really takes off.
Critic Score: 2/4
Director Webber and the screenwriters, David Klass and Vera Blasi ... largely [waste] Jones and some very nice period details.
Critic Score: 2/4
The subject is intrinsically compelling, yet the central story is padded with an uninvolving love story that functions mostly as obvious symbolism about compassion for the enemy.
Critic Score: 2.5/4
Wrapping a history lesson in a romantic melodrama can make for a lively movie, but only if the love story is juicier than the educational narrative.
Critic Score: 2.5/4
Regrettably, "Emperor" does not match MacArthur's vigor, or mine his legacy. Instead, the movie is Fellers' tale and dryly told.
Critic Score: 2/5
In the end, probably the best way to watch "Emperor" is to pretend that the Supreme Command of Allied Forces in Japan after World War II was Tommy Lee Jones.
Critic Score: 3/4
Despite the promising setup, the filmmakers' execution muddles what's inherently dramatic material.
Mr. Jones's performance is the only spark within this otherwise dull, well-mannered exercise.
Critic Score: 2/5
The effort to put a personal face on the major issue of occupation is as timely as Iraq and Afghanistan, but the execution is clumsy and cliche-ridden.
Critic Score: 2.5/4
"Emperor" starts slowly and peters out from there.
Critic Score: 1.5/4
This potentially interesting dilemma becomes thoroughly dull in the hands of director Peter Webber, who stages endless conversations about political fine points without giving us much to look at.
Critic Score: 1.5/4
[Fox is] so deadly serious, you long for a little fun. And that's what Jones supplies.
Critic Score: 3/5
A methodical but dull fact-based drama set just after World War II.
Critic Score: 2/5
When it stops preaching, the film is on surer footing, even if for a drama in which peace hangs in the balance, the stakes never seem very high.
This fascinating historical tale is badly crowded by a bland love story, told mainly in flashbacks.
It's a rich and significant subject for scholars, but not exactly filmic.
Critic Score: 2/4
Shot in New Zealand, the picture's images of a devastated postwar Tokyo are often impressive, blending old-fashioned production design and effects work with digital flourishes. But Fox's role, central though it may be, never comes to life.
Critic Score: 2/4
The cliches are relatively few and spaced apart, and the tearjerking and profound moments are authentic and well-earned.
Critic Score: 3/4
Call it old-fashioned filmmaking, but you learn a lot and come away feeling an impact all too rare in movies today.
A rather thin dramatic experience.
Critic Score: B-
Given its true-life basis, the story is already devoid of suspense regarding Hirohito's ultimate fate, and Fellers's inquiry is made more sluggish by dramatically inert conversations ...
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