Admission
MPAA Rating: PG-13In Theaters: March 22nd, 2013
Runtime: 1 hour 57 minutes (117 minutes)
Rated PG-13 for language and some sexual material.
Genre: Comedy
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Admission Review
- What's Good:
- Natural, unforced chemistry between Rudd and Fey.
- What's Bad:
- Short on the CRAZY and RISKY scale.
- Verdict:
- This film has its moments, but ends up garnering easy laughs... a typical rom-com flick.
- Watch or Not:
- Watch it if love Rudd-Fey pair.....you'll be glad you enrolled.
Audience Ratings for Admission
Plot Summary
Tina Fey (Date Night, 30 Rock) and Paul Rudd (I Love You Man, Knocked Up) star in Admission, the new film directed by Academy Award nominee Paul Weitz (About a Boy), about the surprising detours we encounter on the road to happiness. Straight-laced Princeton University admissions officer Portia Nathan (Fey) is caught off-guard when she makes a recruiting visit to an alternative high school overseen by her former college classmate, the free-wheeling John Pressman (Rudd). Pressman has surmised that Jeremiah (Nat Wolff), his gifted yet very unconventional student, might well be the son that Portia secretly gave up for adoption many years ago. Soon, Portia finds herself bending the rules for Jeremiah, putting at risk the life she thought she always wanted--but in the process finding her way to a surprising and exhilarating life and romance she never dreamed of having.
Critics Reviews for Admission
31 Critics like this movie.
Reviews Counted: 36 | Positive Review: 11 | Negative Review: 25 | Average Rating: 3/5What is most distressing about Admission is that it serves as further evidence that Tina Fey, despite her dominance of the small screen, has not yet mastered the big one.
This is certainly an interesting idea, though the movie is badly handicapped by Fey, who must venture beyond her usual snippiness into scenes of genuine poignancy and proves unequal to the task.
Granted, this is not automatic laugh-riot material, nor should it be, but didn't Fey recognize how hackneyed it all is?
Critic Score: C-
If Fey ends up making movies as good as this one over the next few years, television's loss will have been cinema's gain, for real.
Critic Score: 4/5
You'll be glad you enrolled.
Critic Score: 3/4
This would be a good movie for a parent to watch with a high-school-age child facing down the college admissions slog-it's mildly snarky but resolutely uncynical.
Some films are electric - Admission settles for alternating current.
Critic Score: 3/4
When in doubt, ma'am, just ask yourself: What would Tina Fey do?
Critic Score: B
In their central roles, Rudd and Fey have a natural, unforced chemistry. John and Portia are cute as buttons, but they're also goofy, confused and flawed people.
Critic Score: 3/4
Only Mr. Rudd emerges unscathed. He protects himself by being consistently affable in the face of heavy odds.
Everybody in "Admission" is funny - Tina Fey, Paul Rudd, Lily Tomlin, Wallace Shawn - but they're not funny in "Admission."
Critic Score: 2/4
While most college-themed comedies aim for low-SAT yucks, "Admission" tosses out jokes and cultural references that aim higher.
Critic Score: 3/4
Admission settles for skin deep.
A genial, predictable and ultimately forgettable romantic comedy.
Critic Score: 2.5/4
Cheerful, skittish entertainment that never takes its subject seriously enough.
Critic Score: 2.5/4
Fey and Rudd achieve a couple of comedy mindmelds ... but they're fleeting, as Admission's outlandish contrivances continue to get in the way.
Critic Score: 2.5/4
Infused with an almost relentless blandness, it's defined by soft comedy (a few laughs here and there), flaccid drama, and likeable actors.
Critic Score: 2.5/4
You could call it a dramedy, I guess, but that manufactured term suggests a blending of the two elements. Here they exist almost as separate genres squeezed into the same movie.
Critic Score: 2.5/5
[Fey and Rudd] are fun to watch, though not as much fun as they might have been in a riskier, crazier movie.
Critic Score: 3/5
Director Weitz doesn't come close to pulling off the film's drastic tonal shifts, but at least it's an improvement over his last two films ...
Critic Score: 2.5/4
It promisingly pairs Fey with the dreamy-funny Paul Rudd, though they generate warmth without ever catching fire. The bigger problem is the story they're in.
Critic Score: 2/4
This thin envelope of a comedy checks all the boxes for being a phoned-in, phony, padded rom-com.
Critic Score: 1/5
Another formulaic spin on Hollywood's 21st century discovery, the mom-rom-com, with its disagreeable underlying messages about women, careers and motherhood.
I'd see Tina Fey and Paul Rudd in anything, but this is pushing it. Admission is so slight that a breeze could flatten it.
Critic Score: 2/4
There have been so many shrill, dumb, rinky-dink romantic comedies that it's easy to feel downright grateful when a smart, non-cheesy one comes along.
Critic Score: B
An often pleasant, faintly comedic drama that too often struggles to find its tone.
Critic Score: 2.5/4
When Admission stumbles, which it does often, aiming low for easy laughs at the price of missed opportunities to go deeper, the picture lays there uninspired, like a slice of boiled ham.
Critic Score: 2.5/4
There's a good movie in this story. The one that got made is roughly half-good.
Critic Score: 2.5/4
"Admission" has some sublime moments, most of them involving Fey and Rudd dancing around their inevitable romance. The problem is in the foundation.
Critic Score: 2/4
You can take the kids, you can take grandma; everyone will be ever so slightly entertained.
What should be a hilarious, long-overdue pairing of two hugely likable, superstar comedians ends up being a major disappointment with "Admission."
Critic Score: 1.5/4
Admission doesn't have the courage to suggest that a childless woman who's doing work she loves just may have it all-or at least her all.
Fey has the Sandra Bullock role -- exactly the kind of part that she has spent the last decade transcending. She's not bad in it, though.
What appears on paper to be an ideal three-dimensional, morally complex role for the quick-witted comedienne backfires in practice, relying on Fey to be funny in a movie that works better serious.
Equal parts amiable and weightless, tough to take seriously and yet light on honest laughs.
Paul Weitz betrays an erratic grip on the comic tone, and the misguided central characters emerge, in the end, as less likeable than they ought to be.
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©2013 Focus Features
